WANTED: The Matrix with a great sense of humor.

Wanted (2008)

I am a huge fan of Mark Millar's Wanted. And so, when I entered the theater with a friend on an advance screening pass (comic book store owners are very nice people to befriend), fear gripped me. It HAS to suck...right? It's Hollywood...and a "loose" adaptation...

And so, once the credits rolled, and I was one of the many people laughing and clapping, the fear had long passed.

The films works. It provides the amazing opiate of style and dark humor, and in such massive quantities that both evoke the spirit of the source material and utterly ignore the latter 90% of the graphic novel. But that independent streak works for Wanted. You feel a sense of amused wonder and curiosity throughout, and all the plot twists that follow are different enough from the source to actually hold your attention without ever being prematurely obvious.

James McAvoy does an excellent job, and his wry, sarcastic narration sets the mood of the film perfectly. His evolution from pansy to Neo has a genuine and pleasantly arrogant feel to it, although the stereotypical Rocky-esquire training montage is used to speed things up a bit (what a tiresome tool). Basically, his version of a cinematic Neo is both smarter, more entertaining, and more intelligent.

Backing him up, more with sexy looks and an "I'm too cool for you; you're not Brad" attitude than anything, is Angelina Jolie. Her character screams Trinity. And loudly. Regardless, watching her on-screen is a pleasure. She's terribly likable, and extremely lethal throughout.

Morgan Freeman's Morpheus, called Sloan here, is played well, although the role is a bit beneath his skill as an actor. He makes it work though, playing the wizened and mature helper very well. More importantly, he delivers an excellent (and unexpected) line that rivals Samuel L. Jackson's memorable expression from Snakes on a Plane. That alone makes any price of admission worthwhile.

Any other character serves as nothing more than white noise, there to populate the world rather than intrigue.

The theme of Wanted is all about taking charge of your life and making your own choices, something that the very premise of the first hour of the film both adheres to and contradicts. Rather than analyze it here (and waste time arguing the pleasantly mad logic of a movie where bullets bend stylishly), I'll leave that to the people who inevitably will, assuming the bullet-fu and gore don't completely captivate them (and they should). Wanted IS violent, truly, and yet it doesn't strive to turn every frame into a gory, action-packed orgasm. The film handles it with grace and a style I sorely wish more action movies took into consideration.

As bullets curve, heads get punctured, hilarity ensues, and rats explode (peanut butter rocks, BTW), you'll smile besides yourself.

This really isn't a superhero comic adaptation...it's The Matrix with a great sense of humor.

Enjoy it.

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Hellboy II - Back And Better Than Ever!

Hellboy II: The Golden Army (2008)

You know you're not watching a formulaic comic book film when one of the highlights is a drunken rendition of "Can't Smile Without You" by Hellboy and Abe Sapien. "Hellboy II: The Golden Army" is a more confident, assured outing than the first film and while it does not draw from Mignola's comics for its plot it is perhaps better off for it, lacking the usual burden of comparison and expectations. "The Golden Army" is more fantastical than the first film and is less sci-fi oriented but this is the sort of thing Del Toro does exceptionally well as a writer. He never lets the fantasy become the focus of the film, instead concentrating on characters and delivering action scenes that can only be described as, forgive the crass immaturity, kickass.

As entertaining as many comic book-to-film adaptations are it is a rare event when one can call one of these films a true artistic achievement. I am convinced without a shadow of a doubt that Guillermo Del Toro's entire career has been leading up to this film, particularly regarding his work as screenwriter here. The comedy feels less forced and is worked incredibly well into the script here, so much so that it doesn't feel remotely unnatural when the scene of comic drunken singing leads directly without a break into one of the film's most intensely dramatic sequences. Del Toro's handling of character has never been better, not even with "The Devil's Backbone", which is still my favorite of his films, and his sheer skill and ability when it comes to telling a fairytale-esquire fantasy is astonishing, as proved in the prologue to this film. In short this is Del Toro at the top of his game and providing artistry the likes of which we rarely if ever see in summer blockbusters. It's only fair that an astonishingly brilliant comic like "Hellboy" by an astonishingly brilliant artist like Mike Mignola is adapted this well and by someone as talented at what they do as he is.




How refreshing it is, a week after the release of "Hancock", which to me epitomizes everything wrong with action film-making today, that we get "The Golden Army" which features hands down some of the finest action scenes we have ever seen in this sort of film. Just stunningly beautiful, well-shot, well-crafted, the sort of thing that leaves one wondering how much time and effort went into it and endlessly thankful that some really talented people went to the trouble of making the film.

The film is generally just superb on a technical level. Why am I even saying this? Of course it is. Danny Elfman composing, Guillermo Navarro serving as cinematographer, top-notch editors, fantastic special effects wizards. It's a world-class crew that made this film. I shouldn't be surprised at its quality but "The Golden Army" really just floored and astonished me with how good it is. The cast is also excellent, proving once again that you don't need 'big names' to carry a movie. Just about everyone here is excellent, particularly Perlman with another excellent turn as Hellboy and the underrated Selma Blair as Liz Sherman.



"Hellboy II: The Golden Army" provides essentially everything a Del Toro or Mignola fan would want. I imagine it will entertain and charm many outside those circles as well with its fantastic action sequences, engaging characters, and wonderful sense of humor. I would personally go as far as calling "Hellboy II: The Golden Army", without hesitation, the greatest film based on a comic book character that I've ever seen, and the second great film of the summer 2008 season and when you remember that there was not one great summer film in 2007, that is quite impressive.



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Dreamworks hits a HOME RUN with this one!,

Kung Fu Panda (2008)

From the very beginning, Kung Fu Panda had me practically falling out of my seat --- laughing. It was the perfect blend of comedy, heart, and action, all necessary elements in a successful and great animation/CGI film, in the tradition of The Incredibles and (less action, but containing the heart and laughter) Ratatouille, Finding Nemo and Monsters, Inc.

I took my wife and nephew and niece to see it on a Friday night and they enjoyed it, too! We were totally laughing, smiling, and guffawing at Po, the main protagonist (voiced by Jack Black) and his misadventures at becoming a Kung Fu expert. This was certainly a flawed character, one that a lot of people can relate to because he dreams, he's funny, and he can laugh at himself. Also, the story was pretty clear and easy to follow because the storytelling was well crafted, and the animation was paired well with characters brought vividly to life by some of the most famous names in Hollywood.

Jack Black and Dustin Hoffman are downright excellent as the main characters, and Ian McShane as the bad dude gave it the right fearful presence. Other big name stars don't shine as much, but that's because their roles are rather limited in the film. But that's still okay because the animators should be given equal credit (if not more) for delivering the funny, action and heart elements of this movie in an effective, amazing and (I've got to use this) AWESOME manner. Visually, this movie is stunning (notice all those scenic shots of the Chinese mountains, bodies of water, and the bridge scene; not to mention the action animation version of "The Matrix" with slow-mo)... simply a delight to watch.

It's clear that Dreamworks has gotten back in the animation game with Kung Fu Panda, after slight ho-hums in Shrek 3 and Bee Movie (call me crazy, but I liked Over The Hedge more than those two). Hopefully, it should earn well over $500M worldwide because it is so good.

This movie rightfully belongs in the top animation movies of all time (okay, let's not include the classic fairy tales of old; let's begin with the 90's onwards), alongside my faves "The Incredibles" "Finding Nemo" and "Beauty & The Beast." Has the makings of being a classic.

My wife and I enjoyed it so much that we saw it again the night after. And maybe another time... haha!

Enjoy!

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The Forbidden Kingdom - Great mix of action, comedy and a coming of age story.

The Forbiden Kingdom (2008)

The Forbidden Kingdom starts in a way that is similar to The Karate Kid, with Jason (Michael Angarano), the boy new to his local high school who loves kung fu movies, but is helpless to defend himself against the neighborhood bullies. These same bullies force him to help them into a pawn shop whose owner is shot but still passes on a mysterious staff to Jason. The staff turns out to be that of the legendary Monkey King and Jason is transported into ancient China where he journeys to use the staff to free the imprisoned Monkey King. In the end Jason must prove himself as he faces both fantastical and real life foes.

Once in China Jason acquires several companions; Lu Yan (Jackie Chan) a wine drinking kung fu master, Golden Sparrow (Yifei Liu) a vengeance driven young women and later a monk (Jet Li) who protect him and later train him in the art of kung fu. Together they journey to Five Elements Mountain to attempt to free the Monkey King and end the reign of the evil Jade Warlord (Collin Chou) who sends innumerable troops to stop them.

This movie works on many levels, none too deep, but very satisfying none the less. First of all it is a great action movie with very well done kung fu action scenes involving Jackie Chan and Jet Li, two of the greatest kung fu movie stars in the past couple of decades. In the midst of all of this is a great deal of fairly well done comedy, sometimes not perfectly executed, but generally fun, especially during the kung fu training of Jason. Last but not least this is a classic coming of age story in which Jason journeys from being a boy who fantasizes of adventure to a young man who can fight and suffer for what is right.

This is a fantasy based movie, so expect some magical displays and references to immortal beings, but this is not too heavily done so the story is fairly easy to follow. Refreshingly the movie has relatively little in the way of moral ambiguity, with villains that are really evil and those who oppose them being flawed humans but still striving to that which is right.

In regards to the appropriateness of the movie for varied audiences, the violence in this PG-13 rated movie is never graphic, though possibly disturbing for young children. There is no sexual content with the exception of an implied impending assault by the Jade Warlord (we see nothing actually happening here). I saw the movie in a pre-screening with mostly college students whose applause and laughs made it clear they enjoyed it, but I am quite a bit past college and found it just as enjoyable.

One last comment, while virtually all of the dialogue between main characters is in English, there is a fair amount of Mandarin Chinese being spoken during the movie. In the few instances when knowing the content of this is important there are English subtitles and I did not find the un-translated portions to be an issue.

Overall this is a movie that is exciting, fun and generally very satisfying to watch.

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Explosive entertainment

Street Kings (2008)

"Street Kings" definitely has the street-cred. Keanu looks real bad-ass, Forrest Whittaker looks like he's digging back into the character he played on "The Shield", writer director David Ayer is no stranger to life on the cop circuit, having written "Dark Blue" and "Training Day among others, and the movie also brings on the token rappers for good measure in Common and The Game. But does it work? Reeves plays Tom Ludlow, a Vice detective on a Special Forces unit in LA, led by Ludlow's friend and former partner Captain Wander (Forrest Whittaker). Ludlow's a dirty cop, but he feels in a good way. He'll execute and then tweak the crime scene if it means taking the low-lifes off the streets for good.

His former partner Terrance Washington (Terry Crews) doesn't see it that way though, as he is in the midst of ratting him out to the head of Internal Affairs, Captain Biggs (Hugh Laurie). When he finds out, Tom follows Washington around, walking right into a convenience store robbery where Washington is gunned down execution style. Wander tells Tom he'll take care of it, but Tom is a man who values justice more than anything. He partners with a homicide detective named Diskant (Chris Evans) to follow the evidence and solve the murder.

The movie, by David Ayer, couldn't be more hard-core. It's filled with riveting gun-battles and fights and it's a movie not afraid to show some real brutal violence and blood. The verbal exchanges between characters are also exceptionally written, heated and intense with a good ear for dialogue. My favorite line by far this year is "Why don't you do the department a favor and clean your mouth out with a buck-shot." And the story pulls off a compelling morality play, sending Tom up a ladder of murder and corruption, and at the same time, climbing him further toward his own redemption. Sure, you can probably see the ending coming if your paying close enough attention, but think about it, the movie couldn't end in a better way.

This is the kind of movie Reeves is excellent in, giving his character edge and toughness but also never losing track of the character's underlying moral dilemma. Whittaker is also incredible in this movie, sinking his teeth into a character who's basically portrayed as "The Godfather" of LA. Hugh Laurie shows up every once in a while, the character feels underwritten though. Chris Evans does a decent job, Cedric The Entertainer and Jay Mohr are nice additions who add some comedy, and it's a small role but Naomie Harris deserves a shout-out for playing the down-to-earth voice of reason character.

"Street Kings" is hard-nosed, gritty film-making. The cast is right on the money, the writing and direction is terrific, and the action couldn't be more exciting. The year is still young but this is one of my favorite films so far.

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A pretty good horror movie

The Ruins (2008)

Four American tourists agree to a trip into a South American jungle with a German tourist, to look at an ancient Aztec temple. Once they get there, they find themselves trapped on the temple by some locals. However, they begin to realize however, that they are keeping them there for a horrifying reason....

On the surface, this is yet another movie about American tourists getting into trouble in another country. However, unlike for example Paradise Lost, the Hostel movies, Wolf Creek, and such, the threat here is not from a human source, but something else. It's a refreshing change, but that is only one of the plus points in this good horror movie. There are many more.

The script, written by Scott B. Smith based on his own novel, is pretty good. The characters are well written, and the plot as it unfolds takes it's time to play out, which again is refreshing. Most American horror movies seem to want to rush through the opening scenes, to get to the so-called scare moments, but Smith takes time with his plot, as he did with his other script, the brilliant A Simple Plan. This movie isn't as good as that but it is still good. One of the key things is he never explains how or why the temple is doing what it is doing, yet you never really question it. He allows some intelligence in not only the characters but also in the audience watching. Again, a refreshing change.

The performances from the cast are good. The script allows time for the cast to make their characters believable (for a horror movie)and as the horror and terror mounts, they react in different ways.

The direction by Carter Smith is good. He creates a sense of dread as the the events play out. While the movie is not particularly scary, he creates a sense a good sense of dread, right up to the end, and also doesn't try and cop-out at the end, or allow for some awful twist. Again a welcome change.



The movie does have some scenes that are bloody, or graphic and gory, it's not over the top. There is a reason for the violence in the movie, and also the blood and gore. It's not simply there to gross-out the audience (though the scene with the makeshift amputation will have that effect, no doubt!!).

At a time when most of the American horror movies are either remakes or sequels, it's nice to see a horror movie that while not original at least is different. And for that reason alone, it's worth watching.

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Probably the most thoughtful film I've seen in quite a while,

The Happening (2008)

In a nutshell: Mark Wahlberg, his wife, and the daughter of a coworker are literally running against the wind to try to save themselves from a strange and horrible phenomena that has taken over people's minds and forcing them to kill themselves.

I know this film has been getting more than its share of bad reviews, but you may want to first consider the source before giving any credibility to such reviews. In no way am I putting others down that did not enjoy this movie. I'm simply saying that there are some audiences who require an "in your face" type of direction within a movie, and that could have been what they expected out of this one. I admit I did too. Judging from the previews, I was sure there was going to be the obligatory final act of total mayhem where the camera frantically follows the mass hysteria of the characters, accompanied by some dramatic booming sound effects and a pulsating musical score. ....However this was not to be. Shyamalan keeps the tone of the film very subtle and understated. There were no over the top mass car collisions or train derailments or explosions. And I for one can appreciate this. Even though it could easily have lent itself to this style of direction given the plot, the actual focus of the film would have been compromised. It would have led us in the direction of the more typical natural disaster movies that we've all grown so accustomed to. (..Think Deep Impact or War of the Worlds or whatnot).

The climax of the movie is ironically anticlimactic because the cause of this strange phenomena was already presented to us on a platter at various points in the film for those of us paying attention. There was no "Aha!" moment at the end, and I can understand that some people may have a problem with not getting that big payoff at the finale.

Another reason I feel that some critics have given this a bad rating is because it's such an unconventional battle. The protagonist vs. the antagonist in this film is a bit hard for us to wrap our minds around, because the villain is not the typical bad guy. In fact, who the antagonist actually is in this movie could be debated. Our preconceptions of what a movie like this should be have a lot of us feeling uncomfortable and unsure with this film. And that can sometimes translate to a rejection of things that we can't reconcile.

But if you can appreciate the journey just as much as the destination, then I think you will ultimately enjoy this film. There were some very stylish and visually frightening moments in this film where I almost had to close my eyes because I knew what was coming next. Shyamalan is a master at giving the audience this exact feeling and he proves it again here.

A thought-provoking film that will satisfy you if you go into it with an open mind.

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